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1. #French Selmer Trumpet 1941 Serial Number Prefix To#
2. #French Selmer Trumpet 1941 Registration Was Renewed#

French Selmer Trumpet 1941 Serial Number Prefix To

Selmer K Modified Trumpet Serial NumbersHenri SELMER Paris company is a French- based international family- owned enterprise, manufacturer of musical instruments based at Mantes- la- Ville near Paris, France. Other cup mouthpiece serial numbers are not available at this time. 1980 - 1986 serial numbers are for student trumpet and cornets only. Note: From 1987 to present, add 50 to the serial number prefix to calculate the year of manufacture. It is written on the bell'Henri Selmer Paris' logo) Selme r' Made in France' R' On the second piston is is marked: 50809' and the Pistons are numbered' 19/20/21' On the leadpipe' 99' This Selmer Trumpet is a very well known instrument.1989. In C, this is certainly the most interesting trumpet out of all the Radial models.

The Cleveland Plain Dealer reported in late March of that year that: Another new industry has been located in Cleveland in a transaction reported closed yesterday by Granger Factory Space Brokers, 320 Hippodrome Building. The new company was located at 2845 Prospect Avenue in Cleveland, near the campus of former Fenn College, now Cleveland State University. Reynolds (1884-1960) founded the F.A.Reynolds Company. The above table was partially constructed based on.In October 2004, LeBlanc/Holton was purchased by Conn-Selmer, Inc., the musical conglomerate owned by Steinway, that now includes Bach, Selmer USA, King, Conn.In early 1936, a few months after his 51st birthday and more than 30 years work at the H.N. It is incorrect for cornets and other instruments.

A subsidiary, the, will operate at the same place, making medium-priced band instruments for the commercial trade. E., containing 21,000 square feet of floor space and is expending $40,000 in alterations and installation of equipment for making high grade band instruments. Reynolds, decided to locate here because of manufacturing conditions, nearness to supply of raw materials and convenience of distribution of the finished product.The company has leased for ten years a modern three-story brick building at 2837-53 Prospect Avenue S.

Reynolds, served as treasurer of the company. They also note that the company started with four employees and now (1940) employed 80 men.2 Reynolds’ brother, Harper A. In May 1940, the paper further reported that Reynolds had secured a second five-year lease (meaning the original report was incorrect, or that the first lease was later modified) through Granger for $18,000. President Reynolds has been engaged for 32 years in making sic of band instruments and also in the development of special mechanical equipment.1 According to trademark documentation, the Reynolds name was first used for commerce in February 1936, which is consistent with the facts of the newspaper report.

While Reynolds continued making band instruments during World War II, they also made their facilities available for companies needing plating work on defense items. Olds and Conn, were forced to shut down instrument lines and produce wartime equipment.Reynolds made instruments for the military service bands until c.1950 these instruments have a large “U.S.” mark engraved near the rim of the bell. These contracts allowed the relatively new company to continue focusing on instrument production when many more-established manufacturers, e.g. Reynolds’ early success in producing technical advancements in brass instrument manufacturing was recognized by the United States military and the company was awarded considerable contracts to provide instruments for Army Air Force (USAAF) service bands during World War II. Regardless, he quickly moved to separate himself from his past work and establish his company’s own place in the industry. White workers whom he convinced to join him or whose services he “borrowed”).

French Selmer Trumpet 1941 Registration Was Renewed

The nickel-silver bell flare remained a design element of the Emperor models until the early 1970s (the Roth “Tone Tempered” version was discontinued in the early 1950s) when models produced at the Olds plant in Fullerton had a nickel plate finish over the entire instrument and were similar, if not identical, to the Olds “Special” line of instruments. Deluxe versions of Emperor and Roth cornets, trumpets and tenor trombones featured a two-piece brass and nickel-silver bell. Registered in 1952, the trademark registration was renewed once in 1972 before being allowed to expire by the current owners. According to the trademark application filed with the U.S.Patent Office, the model name “Emperor” was first used on November 1, 1947.

All Reynolds instruments are now engraved “Made by Roth-Reynolds” instead of “Made by F.A. Began conducting business under the “Roth-Reynolds” name, most likely signifying Heinrich Roth’s deepening involvement with the band instrument business as partner Max Scherl neared retirement. Patent Office, the name “Contempora” and original stylized script were first used on and designated for “cornets, trumpets, trombones, altos, baritones, basses, french horns, clarinets, oboes, piccolos, flutes, bassoons and euphoniums.” Registered in 1951, the trademark registration was renewed once in 1971 before being allowed to expire by the current owners.1952: The F.A. According to the trademark application filed with the U.S. The new models were allegedly designed and produced in collaboration with musicians from the Cincinnati Symphony Orchestra. These new instruments featured larger bore sizes and golden bronze-alloy bells with nickel-silver tone rings, as well as other distinctive features such as Monel valve pistons and tuning slide triggers for improved intonation control.

Olds (led by Foster Reynolds) and virtuoso artist Rafael Mendez had collaborated on for release in 1952. It is likely that the Leonard Smith models were a response to the Olds Mendez models that F.E. 1955/56: Reynolds introduces the Contempora “Leonard Smith” signature model trumpet and cornet.Smith was one of the great band directors of the 20th century (notably the “Belle Isle” band in Detroit and Blossom Festival Concert Band during summer music festivals in Cleveland), direct inheritor of the John Philip Sousa tradition and a legendary cornet player. Reynolds Company (doing business as “Roth-Reynolds”) and the Ernst Heinrich Roth Company.

As a Conn 8D player, Chambers was familiar with the Kruspe-Horner layout of the Reynolds Pottag horn, but wanted to incorporate some of the playing characteristics and physical constructions that he was used to from his Conn horn. Known serial numbers range from 0 and, like many original Reynolds models, the “Hi-Fi” models did not survive the manufacturing move from Cleveland to Abilene/Fullerton after CMI purchased F.A.1956: In the mid-1950s, Roth-Reynolds approached James Chambers (New York Philharmonic, 1946-1969) with a similiar idea for collaboration as what Max Pottag had provided Reynolds a decade earlier (see Reynolds Double Horn, Pottag Model). The “Hi-Fi” name itself is an abbreviation of “high fidelity”, meaning the reproduction of sound with little or no distortion. The cornet model was introduced first c.1955, followed by the trumpet and trombone in 1959.